Thursday, February 23, 2012

Fun With Facebook Numbers

Every so often, when I get bored, I like to analyze random things.  People who know me well know that I love data, and I especially love mining "hidden" data that perhaps exists somewhere south of where most people look.  For instance, this evening I ran a frequency analysis where each of my Facebook friends were a data point.

Behold the following chart:

Figure 1. Arbitrary grouping of Facebook friends, based on when/where we met.

My egomaniacal tendencies aside (I love turning people into data points, simply because it's so deliciously dehumanizing), there are some "interesting takeaways" (as us corporate types like to say) in the above chart.  For instance:
  • Facebook's help page states that the average number of connections is 120.  (NOTE: Some of you will ask whether the 'average' is the mean or the median.  I have no idea, but I agree that it's a good argument to have.)  I have some Facebook friends who have under 50 connections; my younger sister currently has 1,658 (which I think is the most of any of my current Facebook friends, though I could be incorrect).  At present, I have 146 connections.  I started this Facebook account in 2007, so - on average, and not counting the people who've deleted me (or whom I've deleted) since then - I've added a net of about thirty Facebook friends per year.  I went into this analysis thinking that I had relatively few Facebook friends; I don't have a huge real-world network of acquaintances, and I'm also relatively stingy about who I choose to connect with via Facebook.  This is a ballpark estimate, but I only confirm about half of the friend requests that I receive (I also almost never send them to other people, which is due to my own approach-avoidance issues and doesn't help pad my stats).  That being said, I'm more pleased now than I was before I crunched these numbers at the girth of my social network.
  • Life experiences build your social network.  Had I not gone to graduate school, I would have thirty fewer Facebook friends than I do at the present time.  Had I never attended college at Rutgers, you can cut another 32 friends from the total.  (Actually, even more than that, because it's unlikely that my wife would have married me had I never graduated from college.)  My point here is that, if you operate (as I do) under the assumption that bigger social networks belong to people who are generally more friendly and fun to be around, it makes sense to educate yourself and also to have several different series of life experiences under your belt.
  • In my case, at least, a committed relationship also builds my social network.  Some may disagree with that point, and for all I know, my situation is different from what typically happens to people.  There's certainly anecdotal evidence that a previously highly social person will "settle down" into a committed relationship and soon thereafter lose a bunch of acquaintances.  In my case, though, my wife's introduced me to 35 people who've become my Facebook friends, people whom I likely wouldn't have otherwise met.  I think this is because she is far more sociable than I am, and she also has worked for a large company for the past nine years, so she knows a ton of people.  I've been able to get to know some of them, as well.
  • I'm (probably) getting better at connecting with people.  I went to graduate school for only two years, but have almost as many Facebook connections through grad school than college (where I spent four years).  This has something to do with a recency effect, but I still think it's worth noting that most of my Facebook connections were built with people whom I did not even know when I started the account five years ago.
  • I do an (intentionally) horrible job of being Facebook friends with members of my family.  This is related to something I mentioned above; I'm very stingy about who I confirm.  It actually pains me to have to hide someone from my News Feed, but when someone is that annoying, I know I have to hide them.  With many members of my family, I'm sure I'd have to hide them immediately after becoming their Facebook friend.
There are probably applications that analyze this data for you (they will also definitely hack your Facebook password, spam your profile and your friends' News Feeds, gain access to and sell all of your personal information, and probably give you Hepatitis C as well).  I chose to sit down for ten minutes and run down my Friends list, trying to create logical groups.  Some people were more difficult to put into a group than others (e.g., my sister's former boyfriend, whom I put in "Family" just because that's how I knew him in the first place).  But for the most part, I'm confident in the chart above.

It's interesting to take the time and figure out what your social network consists of - even if you keep Facebook, or Google+, or something else entirely running in the background for a few hours a day at work, it's still an essential part of your life, in my opinion.  If this kind of stuff interests you, perhaps give it a shot with your friends list, and see what you find out.

Monday, February 13, 2012

Restaurant Review: U-Yee Sushi

I've never reviewed a restaurant before, but let's give this a shot and see how it goes.  We'll start with a place near and dear to my heart; U-Yee Sushi.  Because, though there are other foods I love more than sushi, there is no more powerful culinary urge than the urge for raw fish.

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On a weeknight almost every week, either my wife or I make the 40-minute round trip drive from our house to U-Yee Sushi in Iselin, New Jersey.  It's not the best sushi we've ever had, but it's tasty and a solid enough value that, though we've tried numerous places closer to our home in Somerset County, each time hoping we've found a local replacement, we can't help making the drive back to U-Yee.

U-Yee is also a hibachi restaurant (I've had the hibachi once, and it was pedestrian in quality), but is probably best known for its half-price sushi (Sunday through Thursday only).  "Half-price" sushi scares many people, and with good reason - I've read Anthony Bourdain's Kitchen Confidential, and all too many restaurants use promotions like this to mask the poor quality of their ingredients.  When the ingredients in question include raw fish, there is even more of a reason to be nervous.  However, having gone to U-Yee literally hundreds of times and having nary a terrible gastrointestinal incident (except for that one horrible, sleepless night in 2008 - though I'm not sure that was the sushi's fault), you can be assured that "Half-price" sushi nights are simply good value - not bad fish.

Lost in the low, low price of a night at U-Yee (two people can split an appetizer, order 3-4 rolls per person, and each enjoy an alcoholic beverage for $50 or less) is the surprisingly high quality of the cuisine.  Sushi pieces and rolled sushi alike are not only crafted to be delicious, they are also (to varying degrees, depending upon the chef) minor works of art.  Occasionally, sushi appears in highball glasses, in intricate designs and patterns designed to make the diners chuckle.  The communal sushi plates are elegantly balanced so that even those individuals with less-than-daring sushi tastes (California roll, anyone?) can enjoy an interesting visual experience along with the fine food.

Those who choose to sit at the sushi bar often receive a complimentary amuse-bouche (our most recent was a mackerel roll combined with thinly sliced avocado, in a green seaweed wrapper lightly drizzled with spicy sauce, alongside a small cucumber and spicy king crab salad) before the main course.  Sitting at the bar is definitely the way to go - the tables are New York City-level cramped, especially on busy nights, and the sushi chefs are willing to chat with you about what they're making (and can offer recommendations on what's freshest).

Portions are large (between six to eight rolls per order) and generous with regard to the fish amount relative to rice and other, less expensive ingredients.  The spicy tuna roll is among the finest I've ever had - a delicious balance between spice and the fresh, medium-fatty tuna, without even a hint of mayonnaise (I strongly dislike mayonnaise).  But even simple rolls, such as the salmon roll, have remarkable complexity - the sushi chefs take care to season the sushi with rice wine vinegar and a little bit of sake and soy sauce, leaving any possibility of boredom behind but still letting the fish take center stage. U-Yee's sushi coup de grace is most certainly its White Swan roll (spicy white tuna with tempura flakes, wrapped in rice and covered with a thin slice of yellowtail), however.  Multiple layers of flavor - the crunch of the tempura flakes, the mellow tang of the white tuna matched with the raw tenacity of the yellowtail - work together for a sushi experience that should be worth far more than the approximate $7 sticker price. 

For the drinking type, there are more choices at U-Yee than you'd expect at first glance.  The restaurant has a full liquor license and offers an extensive list of cold and warm sake, a standard selection of wines, and both domestic and Japanese imported beers.  Often the servers, in the spirit of Japanese good fortune, will take the time to open and pour my large Sapporo for me, which I always appreciate. 

Speaking of service, it is more than adequate for the price point.  Regulars receive a different, higher caliber of service, but anyone who stops in can be reasonably certain their order will be accurate and their beverage of choice will remain full.  Somewhat annoyingly, you will be charged for refills of your Diet Coke (I'm not sure any restaurant should do this in 2012; charge for the first one, sure, but subsequent drinks should be gratis).

Dining at U-Yee is not without its sore spots.  The restaurant is set aback, in a second-rate shopping mall near a Retro Fitness and a for-profit school for adult education - on most weekday evenings, parking is a serious chore.  (I'll tell you our secret; park behind T.G.I. Friday's, to the left of U-Yee's front, and you'll likely have no more than five parking spots between you and the sushi restaurant.)  Parking is only half the battle, however - the restaurant is in Iselin, a part of New Jersey which for many reasons is not known for driving competency, easily manageable roads, or calm driving scenarios (especially during the holiday season).  U-Yee is often busy on weeknights, and does not take reservations.  If you are forced to wait, you'll be waiting in conditions even more cramped than the seating area itself.  You can rest assured that in these instances, you're dining at a popular restaurant.  Take out is an option for locals, but can sometimes be charged full price (be sure to ask in advance).

Do not judge a book by its cover.  In some ways, U-Yee is "dive" sushi - it's in a working-class area, the decor and walls are somewhat dated, and the restaurant certainly appeals to those who realize that clean, delicious fish doesn't necessarily have to be high-end in nature.  Recently, my wife and I dined at one of the finest sushi establishments in the world (Sushi Yasuda in New York City) - a completely different experience, indeed, but both establishments have the same essence of providing needed comfort food.  With a combination of fresh and inventive sushi design, incredibly delicious food and drink, and a warm and comforting atmosphere, U-Yee is almost always a fine decision, and it comes highly recommended.

Rating: 4 out of 5 stars (ratings take into account food quality, drink quality, service, ambience/atmosphere, and last but not least, value).

Best for: Casual night out with the wife and/or with friends; whenever the (incredibly strong) sushi urge strikes you

Average price: My wife and I typically spend between $40-$60 for the two of us, including a 20% tip.

Thursday, February 2, 2012

Satellite Radio & The New Culture of Music

My new car, which I purchased almost three months ago, came with a free, three-month trial of SiriusXM satellite radio.  They'll let me continue for another six months for only thirty bucks or so.  Frankly, and I would never tell the kind folks at SiriusXM this, but nine months of satellite radio for thirty bucks is an incredible bargain.  They could charge me more, and I'd be forced to take it.  I'm addicted to satellite radio.

Why is this the case?  Inevitably, the first advantage to satellite radio that people bring up is the lack of commercial interruptions.  This is a clear benefit, but it's not entirely true - some programs, such as Opie and Anthony, have occasional commercial breaks.  And indeed, in general, listening to virtually zero commercials on the radio is better than listening to local hacks pitching non-essential services on every radio station at the exact same time (:50 past the hour or so).

(SOMEWHAT RELATED RANT: Though, local hacks pitching non-essential services is much better than non-local hacks pitching non-essential services.  We now use Verizon FiOS for cable at our home, which is generally speaking a vast improvement over evil fascist-run Cablevision.  However, FiOS erroneously thinks that the entire New York City metro area is interested in hearing the same commercials.  New York City is not Akron, Ohio.  I live in the suburbs, but there are one million people who live in a twenty mile radius of me, and literally everything I might possibly need, from pest removal to appliance repair to Ethiopian food, is available to me within a ten mile radius.  I do not need to hear TV commercials for random kitchen and bath contractors who operate fifty miles away from me.  I would never use them, and even if I were interested, it would be economically infeasible for them to consider selling to me.  The way FiOS defines "local" with regard to commercial transmission makes zero sense - maybe someone out there can explain it to me.  I can't be the only person upset about this.)

Anyway, I feel there are more reasons why satellite radio kicks terrestrial radio's ass than you would be interested in reading.  I'll list a few of the reasons why I feel this way below, and then we can argue, banter, have fisticuffs or whatever you'd prefer regarding the topic.

  • Variety of music.  At present, the New York City FM dial is a barren wasteland for people who aren't fifteen years old and/or mentally retarded.  To the best of my knowledge, there exists zero modern rock, alternative rock, or hard rock FM radio stations broadcasting out of NYC right now.  But let's be fair; even when K-Rock existed (R.I.P, 1996-2009), one halfway decent radio station could only do so much.  The business model of terrestrial radio requires a steady and large stable of listeners in order to provide advertising revenue.  Satellite, on the other hand, doesn't give a damn whether you want to listen to 1st Wave (classic alternative, 1989 and earlier), Lithium (classic alternative, 1990-2000 c.f.), or Alt Nation (modern alternative, 2001-present) - you've paid your dues already, so you can listen to whatever you want.  The end result of this is that terrestrial rock radio always needed to play Matchbox Twenty back-to-back with Metallica, even though the fan bases for the aforementioned bands did not overlap.  They assumed, in what was a safe assumption until fairly recently, that listeners would suck it up and listen to both groups on the same radio station.  Satellite, on the other hand, can cater to finicky tastes by compartmentalizing music genres in so many different ways, it's amazing (and at first, overwhelming).
  • Variety of non-music content.  I mentioned Opie and Anthony before.  They were once simulcasted on terrestrial radio in my area even while on satellite radio.  This doesn't happen anymore, which is a shame because O&A, while filthy and repulsive, are also incredibly awesome.  I work in an office, doing corporate work, and my long drives to and from work are where I am able to let my id free.  Opie and Anthony's constant comedy and vitriol help me considerably in this endeavor.  Also amazing is Jason Ellis Live, a drive time show on XL Faction.  Regardless of your poison, it's important to laugh out loud in your car, and with the incredible amount of talent leaving terrestrial radio for satellite over the past several years, it's now only possible to do this on satellite.
  • Satellite technology.  Except for underpasses and driving rainstorms, I've never had any issue listening to satellite radio at any time.  This contrasts with terrestrial radio, which is obviously constrained by transmitter power (and, also, weather).  Theoretically, if I were to drive from my home in New Jersey to the Pacific coast, I would be able to listen the same radio station.  This would be patently crazy, but theoretically possible.  (NOTE: I'd like to someday drive to Canada in this car.  Does satellite radio work in Canada?  That would be a little racist if it didn't.  Maybe it's similar, but they play lots of Barenaked Ladies, Sarah MacLachlan, and NHL broadcasts on "XL Hoser".)
  • Complete lack of censorship.  Back in the day, before our litigious society went berserk on musicians dropping the F-bomb in the vein of artistic expression, you could hear raw, unedited versions of fairly explicit music on terrestrial radio.  I, for one, grew up with Tom Morello screaming repeatedly that Fuck no, he wouldn't do what they told him.  At some point, this shit no longer flew on the FM dial, and songs were entirely dubbed clean - often at the expense of the core intent of the piece.  This does not happen on satellite radio, thankfully, and it's cathartic to hear songs performed the way they were intended to be performed.  Remind me again, why do people get so up in arms about profanity?  These people, clearly, should go fuck themselves.
  • In a sense, it's good for the music industry.  I mentioned earlier that satellite radio has more musical genre "cuts" than one might expect (or, in some cases, want).  What's nice to me about some of these stations is the extent to which they promote new, independent, and unsigned music.  It's common for a song to debut on XM U (the indie, college radio station) and end up on Alt Nation (the modern alternative rock station), and if it becomes popular enough on Alt Nation, that goes a long way to international super-stardom - which is what any musician who puts his or her music on the radio should want.  What I don't know is how music gets to XM U in the first place, but judging from the personalities they have on that station, I'm assuming that lots of it is researched from the ground up and is completely unsigned.  If so, that's a good thing for the music industry (where traditional avenues of developing talent are dying rapidly).
Is there anything I miss about terrestrial radio?  I haven't voluntarily put on the FM dial once since I purchased my new car last November, so I suppose there isn't much.  One thing I do miss - and I miss it a great deal - is the locality of terrestrial radio.  By this I mean that until recently, it was possible for a radio station to stick around long enough, and make enough money through advertising, to become a stakeholder in a community's musical culture.  They were part of a city's language, the on-air talent (if talented enough) became an adopted member of the community, and they were able to interact with their listeners in ways that were meaningful.

In the late fall of 1997, my mom wrote K-Rock in New York City a letter (maybe it was an E-mail, but I doubt it) explaining how much her son loved the radio station.  She was thinking they might be nice and send her a bumper sticker or something else to put in my Christmas stocking.  They actually sent a few bumper stickers back to her.  They also sent a long-sleeve T-Shirt (NOTE: I write this in February of 2012.  I'm married and have a mortgage, and I still own and fit in this T-Shirt.  It survived literally 25 moves I've made over the past fifteen years.  It is by far the oldest piece of clothing I own, it is a unanimous first-ballot Clothing Hall of Famer, and I will cry out loud like a baby when it eventually rips).  Oh, and they also threw in demo copies of the top ten alternative rock albums of 1997.  At a value of over $100, they sent these gifts to my mom at no charge.  This was my Ralphie Christmas, it's the Christmas I will always remember.

Fast forward twelve years later.  In early 2009, a friend of mine won floor tickets to see Metallica at the Prudential Center in Newark from the same radio station (though by then K-Rock was in its death throes, about to be consumed by the Demons of New York Radio and turned into Dance Music for Adults with Severe Autism).  Through the radio station promotion, I tagged along with him and spent an evening about ten feet from James Hetfield.  This was one of the concerts I will always remember.

Satellite radio, at least right now, cannot come close to matching the type of emotional connections that were once made easily by local, terrestrial radio stations.  I would love to see it happen in the future; maybe they could vary the on-air talent by region?  Or simulcast more local radio stations?  (They currently do this for a few radio stations in the New York market, such as Z100, though I'm not sure if this is a national or local thing.  I really need to drive my car outside of the New York metro area for once to figure this out.)

For now, it's clear to me that satellite radio is an improvement over the status quo.  It does change the way we connect with our communities as a result of listening to the radio, and it's a little sad to think that one day, the "local one dollar concert series" or the "radio station street crew" will go the way of banks handing out toasters to new customers.  Having satellite radio is like being one of the cool kids in a nationwide school with twenty million students.  You know where you stand, you like where you stand, but you don't know anyone around you.

Monday, December 5, 2011

My New Car

My first car was a 1991 Nissan Maxima, and until two weeks ago, I never enjoyed driving any car more than I enjoyed driving that car.  The Maxima was black with a black leather interior, had a Bose audio system, a power moonroof, and a powerful engine.   It was fun driving that car, which manifested itself in certain ways - first and foremost being, I wanted to drive it all the time.  Part of this was because I was very young and very shiftless and liked the idea of "freedom," as temporary as it might be while still living at home, but I'd sometimes drive that car just for the sake of getting away and driving it.  I'd drive it recklessly fast sometimes, and to this day I think it's a miracle that I never busted it (or myself) up pretty seriously as a teenager, but the steering wheel felt like an extension of my fingertips and the steering was tight enough that I couldn't find a hairpin curve the old car couldn't handle.

The Maxima died in 2005 - it died like a bit player in a Quentin Tarantino movie.  It wasn't pretty.  After the Maxima, I drove a 2001 Hyundai Santa Fe for four years (its two best qualities were that it was reliable and it was free) followed by a 2009 Honda Civic coupe for another three-plus (which was reliable and, while not free, certainly cheap).  I drove both of these cars parsecs of miles - a Boston to New Jersey near-weekly commute will do that for you, as well as 240 miles a week commuting for work even after Boston hit my rear-view mirror for good.  They were reliable cars, as I mentioned, and I've never in my life been stranded alongside a road.  But they weren't fun, and I guess I'm a person who needs driving to be fun.  Oftentimes, I'd drive both cars too fast, but just because I wanted to get to my destination and stop driving them.  The Civic, in particular, had such a harsh ride that even modest potholes would lead to me freaking out a little bit (loud, unexpected noises will never be my friends).

The evening before Thanksgiving, after six months of deliberation, internal hemming and hawing, and approximately six notepad pages' worth of Pros, Cons, and What-Have-Yous, I purchased a new, silver 2012 Acura TSX.  I had for months previous been frustrated with car dealerships' hard-line negotiations with regard to Certified Pre-Owned cars, and was surprised when the local Acura dealership lopped roughly 10% off the MSRP for the new TSX (vs. the CPO car, which had a very firm price).  What follows is highly quantitative in nature: The final price of the car I purchased (between $28,000 and $29,000, for those who care about such things) was a few thousand more than I initially planned to spend, but the near-0% financing made up the difference - and, with my heavy driving, having a car with zero miles on it, at that price, and with the exact features and driving experience I craved, made a ton of sense.  My monthly payment will be a grand total of eight dollars a month more than the Civic payment I took on as a graduate student, and for twelve fewer months in term.

But that's all math.  Let's talk feelings.  Buying this car was extraordinarily difficult for me, as it flew in the face of nearly every rational thought I could have.  After all, my Civic drove fine with no obvious problems, and would have driven well into the year 2020 for "free" (or some shit).  But the Acura was a gut feeling (backed by spreadsheets' worth of budgeting), and when I drove the car off the lot, I knew I'd made a perfectly reasonable (and fun) choice.

The TSX, for less than $30,000, has many features that cannot be found on competitors' sports sedans without spending about $40,000.  Here are a few of my favorites:
  • Heated leather seats: They're black leather seats so they'll get plenty warm on their own once the thermometer hits 90 in the summertime.  But up here in the hills of New Jersey, it can be very cold on winter mornings, and it's very nice to have my ass sit on warm leather when I'm driving to work.  The driver and passenger have separate settings, which is nice because the Spouse-O-Matic calibrates at a temperature roughly 10F colder than I do.
  • XM Satellite radio/Premium Sound System: I've completely changed my mind on satellite radio.  It's worth $10-$15/month to not have to listen to every radio station have a commercial break at the same time.  It's also worth that cost to have plenty of diverse options - Lithium, Alt Nation, 1st Wave, Coffee House, O&A Radio, ESPN Radio, etc. - it's really an incredible array of radio stations to have at one's fingertips.  With the Acura's sound system, I'm able to blare whatever music I feel like playing at decibel levels that will surely render me deaf by middle age.  Which I'm cool with.
  • Smooth, supple ride: After the Civic, which ping-ponged around the road like an arcade game, it feels assuring to have a substantial, responsive car to drive again.  The TSX absorbs many bumps easily, which is nice because many nearby roads are of poor quality.
  • The "perfect" engine: To be fair, I would rank the TSX's engine in the bottom half of cars in its segment.  It has a turbocharged, 201-hp four-cylinder engine, which is peppy but by no means a trail blazer.  In exchange for accepting a four-cylinder engine, I also obtain an average 31 mpg highway with a car that does not require premium fuel (plus is fine).  This is actually "enough" of an engine for me, as I typically play nice on the road though I like to speed 10-15 mph over the limit on most highways.  The automatic transmission is very intelligent (it never hesitates in providing enough power going up hills), and has manual paddle shifters on the wheel and a "Sport" mode in case I ever feel truly frisky.
  • Memory power seats: Basically, if the Spouse-O-Matic (who is about six inches shorter than me) unlocks the car with her key, the mirrors and seat adjust to her size, and then can revert back to my settings once I unlock the car.  Super cool feature.
  • Instant fuel economy, specific tire pressure readouts, range left in fuel tank, etc.: The TSX doesn't mind paralyzing you by analysis if you like it, and if you're reading this, you know I like it.
Finally, there's reliability.  Acura is one of the most reliable brands in existence.  At the last moment before I bought this car, a local BMW dealership came out of the woodwork with an objectively fair deal on a 2008 328i with roughly 45k miles on it.  It would have cost much less than the TSX, but I realized that you never see old BMWs on the road - BMWs age like strippers - while you always see old Acuras on the road.  That ended up sealing the deal for me.

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In short, I'm happy with my decision and I certainly would recommend this car to anyone who's interested in a sporty yet practical sedan.  Further, I'm quite glad that I did something counter-intuitive, something that was outside of my comfort zone, and something that allowed me to reward myself (a little bit) while still being a fine value.  I'm back to looking forward to getting behind the wheel and anticipating the open road again, which is nice.

Thursday, October 6, 2011

Test Driving Cars: A Requiem for Car Salesmen

In a post I wrote four months ago, I went into some detail about my thought process regarding possibly upgrading my car.  I received a bunch of responses from people on either side of the coin.  Some were enthusiastic about moving up to a nicer car, especially given that my current car (a 2009 Honda Civic) is both fairly pedestrian to drive and in high demand on the resale market.  Others felt, just as strongly and convincingly, that I should stay put because my current car will last a long while and, after all, it's just a means of getting from Point A to Point B.

The opinions that I received were so powerful that I decided to do nothing for a while - for four months, actually, until after I got married (and after all of the requisite wedding planning had been conducted).  Though I still haven't completely made up my mind, I decided recently to start test driving new* cars.  (*If anything I plan to purchase a Certified Pre-Owned vehicle, so these cars are only "new" to me.)  I figured it'd be a nice personal research project to get me through the fall months, and if I found a car that "Wowed" me so strongly that I couldn't refuse purchasing, I could tell the story about what a gullible sucker I was.

So far I haven't been that much of a sucker, which doesn't surprise me as I'm typically very frugal and hate buying new things.  Back in my salad days as a college student, I was an early adopter of the iPod - since then, I've never been an early adopter for any other product.  So, part of my motivation in test driving these cars is to ease myself, over the course of weeks and months, into actually buying something nice for myself.  I'm treating it the same way I'd treat a training program for a road race; incremental baby steps should lead to a relatively painless purchasing decision.

Speaking of baby steps, here are my self-prescribed ground rules:

  1. I will never test drive cars on consecutive days.  That's right, I'm giving myself Joba Rules*.  (Sigh.  I should explain this.  Joba Chamberlain is a Yankees relief pitcher who, infamously, was given special "Rules" for his use out of the bullpen during the 2007 regular season.  One of these rules was that Joba couldn't be used on consecutive days, and yes, it didn't work out well.  I can only hope this works out better for me.)  As you already know, I hate buying things, and the bigger the purchase item is the more I hate buying it.  By giving myself at least one day between each test drive, it'll be more likely that I will be physically and emotionally ready for each experience.  
  2. I will research each specific car online, and then reach out to the dealership electronically in order to schedule a test drive.  I like this method for two ways.  One, since there's no way I'm going to sit down and discuss purchasing any of these cars the same day that I test-drive them, I'm giving the appearance that I'm more serious than I am.  That way I don't completely lose the salesman's interest until late in the test drive itself, when I confess that I am still comparing models.  Two, it gives me some heads-up insight on how car dealerships treat the customers who reach out to them (more on this later, as well).
  3. I will stay in the same price range (about $25,000 sticker price) across each brand that I test drive.  Given the car brands that I plan to test drive (BMW, Audi, Lexus, Acura, etc.), I know that I'm small potatoes.  Even if I walked into the dealership backwards with my legs spread wide, eager to purchase at any price, I don't think any luxury car salesman wants to spend too much time on my purchase when a heart surgeon could walk through the door the next instant looking to spend $90,000 in a heartbeat (get it?).  So, in the same vein as point #2 above, I want to understand the extent to which each dealership will put effort toward understanding the needs of a small-ball customer like myself.
  4. I will be consistent in my conversational style and bring up the same questions to each salesperson.  This is only because I want to hear the opinions of different brand representatives, since each of these companies (in my mind at least) occupies a different space in the luxury market.  I'm testing my own hypotheses as we go along.
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I'll tell you about my first two test drives below, but first, a brief treatise on my (small amount of) sympathy for car salesmen*.  (*Let's call them what they call themselves these days - corporate terms like "Client Advisors" or "Sales and Leasing Consultants."  Actually, let's not, because those phrases are stupid.  Let's call them salesmen - even though women can and do sell cars quite often.)  Sales in general is a very tough profession, and these particular salespeople work very long hours for a very low salary and commissions that vary based on factors they cannot possibly control.  They have to deal with all sorts of different people, and - because they are car salesmen - they often see the worst of these people.  They tend to do this for a flat commission (my understanding is this is typically 20-25% of the profit made on a car, which is sometimes as low as $100, depending on the automobile).

Now, I like to negotiate, and I personally never feel that the first price a salesperson offers for their services is the best price that they can offer.  However, I've never understood why people speak so proudly of their experiences yelling, screaming at, or berating car salesmen in order to obtain a relatively small savings (let's say an additional $200 off the already-negotiated price of a car).  I realize that some car dealerships engage in shady practices, and I'm trying not to be too liberal-sappy here in my defense of car salesmen (of all people), but if I can make an honest living doing what I do, shouldn't a car salesman be allowed to make some profit when selling a car?  I just don't feel that the poor schmuck deserves to hear me yell at him or her for a measly $100 or $200.

But, given this, how much is too much profit?  Thankfully the Internet provides insight (some of which is insight that I, the consumer, have to pay a small fee to obtain).  Through these means, it's possible even to estimate what the dealer spent on a CPO car.  CPOs are interesting because the dealer is making their second round of profit on the car; they've already sold/leased it new, and now they're looking for more profit from the second owner.  Given this, an educated consumer should be able to leverage this information and obtain an easy 10-20 percent off the sticker price of a CPO car (all other factors aside).  We'll see how that goes in practice, if/when that happens.

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Test Drive #1: 2008 BMW 328i

I start off with what feels like an easy one, because I can't really see myself driving a BMW.  I tend to dislike how BMW drivers drive, and I'd sort of hate to be lumped into that particular crowd.

I find an online specimen at a dealership conveniently located during my drive home from work, and E-mail the dealership asking them specifically to reach out to me via E-mail and let me know if a 5:30 pm test drive that day would be possible.  Within five minutes of sending this E-mail, I receive a reply back from a human being confirming that indeed, this would be possible, and the name of whom to ask for at the front desk.  That level of responsiveness is nice.

That evening, I steel myself and enter the BMW dealership.  I find it remarkably understated (the salesman I end up working with sits at a small desk without cubicle walls, made of fake wood and with a chip in one side) and relaxed.  The salesman is at the front desk waiting for me, and after some small talk, I get to see the car in person.

From the outside, BMWs are beautiful and alluring automobiles.  They are sleek, shiny, and the bodies are designed in such a way that you would know, even if all identifying information were ripped from the body, that it was a BMW.  Inside, however, the 2008 328i is cramped and confusing. The driver cockpit is barely adequate for a man my size (I am barely six feet tall and weigh under two hundred pounds) and the controls are vague and plastic-feeling.  The seats in this particular car are not real leather - they're a vinyl derivative called "leatherette."  I can't tell the difference between this and real leather, as my parents drove Hyundais when I was a child, but I'm sure it's obvious to some people.

The seat controls were manual and difficult to use.  The side mirrors were extremely small, and the view out of the rear mirror was partially obstructed.  It felt like blind spots would be significant.  However, fit and finish was beautiful, with a sturdy-feeling dashboard, comfortable arm rests, and a nice walnut accent.

Performance-wise, upward of 30 mph, I'd say this car was exactly what I'd expect from a BMW.  It absolutely hummed, and I was trying to be restrained with my driving style (since I figure that if you break it, you buy it).  However, my base model 2009 Civic is faster off the block (up to 30 mph), which made me wonder if something might have been wrong with this particular car.  If so, that's a huge red flag because the car had under 40,000 miles on it.  I was generally disappointed in the performance.

The salesman was low pressure and not at all "sleazy", which was nice for the first car that I test drove. I leave not thrilled about the BMW, but encouraged that the process may not be all that painful.

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Test Drive #2: 2009 Acura TSX


I did not want to like the Acura TSX either, because it seems that everyone I know drives one, and I like to stand apart a bit from the crowd.  While the specific dealership experience I had was less than perfect, I ended up really enjoying the TSX.

About five minutes after E-mailing the dealership asking if they could reply back (via E-mail) to set up a test drive appointment at 10:00 am on Wednesday, I receive a phone call from the dealership.  I don't pick up.  The next day, I get home from work to find a second phone call from the dealership.  These folks must really want to make a sale, I say to myself as I walk into the Acura dealership.

I mention how impolite it was that I was called when I asked to correspond through E-mail to the salesman, and he asks "Why don't you like to speak over the phone?"  My response should have been: "Because I'm the goddamned customer, and if I want to communicate with you via carrier pigeon and the Pony Express, you're going to have to tolerate it!"  That'll be what I say next time.  Instead, I make up a stupid lie about having a bad throat infection and finding it difficult to speak for long periods of time.

Compared with the BMW, the Acura TSX had better acceleration, smoother pickup and braking, more amenities (e.g., heated leather front seats and driver memory seats), and better fuel economy (roughly 30 mpg on the highway).  Additionally, being of Japanese versus German make, I'd be less likely to see the inside of a repair shop with the TSX. 

However, the fit and finish lacked the panache of the BMW - it reminded me quite a bit of my Civic, except it had more buttons.  The dash felt a bit like plastic, and the driver's console was one tone (a dark gray, sort of uninviting).

After the test drive concluded, I explained to the salesman that I had no intent to purchase but would like to keep his card for my records.  He said sure and invited me inside to obtain the card.  He then disappeared and I realized about 15 seconds after this that I had no business being inside the car dealership at this point; I grabbed a business card off the guy's desk and bolted out the door.

Three steps from my car, the "Sales Manager" introduced himself. 

"Is there any price we can offer you in order to sell this car to you today?"

Had I said "Sure, one dollar!" that would sound like I wanted to buy the car, so I said "No, but thanks" as I was getting into my car and pulled away.  Tough dealership; like I said before, I'm sure they wanted the sale.  They just weren't going to get it from me.

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As I test drive more cars, I'll likely update the blog with my experiences and possibly my final decision.  If anything, someone out there with similar tastes may be pondering a similar decision; I can maybe help him or her out. 

Go Yankees! 

Tuesday, September 13, 2011

Getting Married & the Walk of Life

After a long, 18-month engagement, my fiancee and I will officially tie the knot next Friday night.  It struck me earlier today that though the words are cliche, time does fly, and this has been a significant amount of one's adult life to pass.  Since March of last year, we've searched for and purchased our first house, attended many weddings in the honor of other people, watched as a bunch of the couples on our original wedding guest list broke up, and mourned as two of the people on our original wedding guest list died.  But we're still here, strong as ever, and barring the Zombie Apocalypse happening over the next ten days (a distinct possibility), we'll be husband and wife at that point.

This blog post isn't intended to be a love note (though some will see it that way).  It's a reflection on my life, happy and secure as it is right now.  All of the things I'll write about are subject to change, and certainly could change, because shit in this world is always in flux and the disorder of the universe is always increasing.  As of the moment I write these words, though, these are just my thoughts; just what I was feeling at the time.

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Until it actually happens, a wedding is a living organism, or a third partner in a relationship (pick whichever metaphor you'd prefer, as they are equally valid).  It's a massive project and, no matter what, it takes up a great deal of a couple's time.  Weddings vary in cost, theme, formality, and structure.  Irrespective of these variables, a wedding (short of an elopement) is universally a giant time-suck.

The Great Scorer, or any skilled independent observer, can, I think, learn a great deal about a couple from how they plan their wedding.  Relationships are extraordinarily complex things, and no one quite understands how they work.  (If people did, well, more relationships would work.)  My best guess, having been alive for some number of years and having fallen on my face a few times in the process, leads me to conclude that success in a relationship differs as a function of two people being capable of working together to (a) achieve new goals and (b) not piss off the other person too strongly or irrevocably. As a result, in wedding planning, I always strove to be a partner to my fiancee, to realize that although she always had the pure vision for making the wedding happen, that I could be there for advice, or to assist, or to help negotiate with vendors.  I hope that I accomplished all of these things (because she's been incredible at everything that she's been working on), and I can only hope that next Friday is as awesome as I've made it in my mind.

And yes, I'm sure that I still pissed her off sometimes in the process - though not too strongly, I hope.

But many people get married, and perhaps (here I'm being a bit smug, but I feel I deserve to be smug) not all of these people have thought about this so deeply.  Planning a wedding can be as detailed as two people want it to be; if I were to recount any of the countless minutia that we've debated (sometimes for too long) related to any number of ridiculous wedding topics, I think my head would spin.  Selective amnesia is a good thing.  And yes, I hope our guests will understand the gimmick we've chosen for the table numbers.

My theory is that it's entirely possible to predict whether a marriage will last as a result of how two people plan a wedding.  Project management doesn't end when two people get married - as but two examples, most couples choose to share finances after getting married, and that can be a huge source of marital stress.  Most couples also choose to have kids, and I can only imagine how much stress that can cause.

To be realistic, I know that as our shared life proceeds past September 23, 2011, the stresses will increase and perhaps even compound.  It's an inevitable fact of being a couple of dumb yuppies.  We plan to purchase a dog as our wedding gift to each other, and even though owning a pet has been clinically shown to reduce blood pressure, I'm already sort of dreading the impacts this may have on our social lives.  There's a fairly decent chance we'll decide to have children (one day), and they'll need food and diapers and college savings and shit.  One year we may decide to finish our basement, or install a pool - that'll be more work.  We'll need to plan family vacations.  Our parents will get older.  And it's reasonable, given all that I just mentioned, to ask what the hell it all means.

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Below is a numerical breakdown of the wedding:
  • Six hours in duration, from invite time to last dance
  • Seven vendors working for us that night (each of them better show up on time!)
  • Twelve members of bridal party
  • Three "parental units" (as my parents are divorced)
  • One honeymoon that we haven't planned or booked yet because planning vacations is one thing we both suck at
  • One hundred and twenty one things to remember that day (from item #1: "make sure to wake up on time" to item #121: "make sure to get laid")
  • And finally, Five hundred and forty three days of engagement.
Oh, I forgot one number.  Four.  Last night, we received an E-mail from our maitre'd from the wedding venue, which included a four-page document that detailed every minute aspect of our wedding day.  It was remarkably thorough and accurate (we really dig our venue), and also disheartening to see because it became incredibly clear that once the wedding starts, it'll proceed as directed on these four pages of paper.  It'll end soon thereafter, and all of our work will be finished.  It'll be sad to see the whole project go.  It's hard to imagine what might take its place.

But on the other hand, that's just the clear sign of a new beginning, right?  While I'm occasionally an incredibly negative person, I'm also generally fairly optimistic about the future, and I'm confident that as involved and... shit, yeah, I'll say it, fun... as this whole getting married process has been, we'll find new and interesting things to occupy ourselves. 

It'll be nice to go on hikes together on the weekends this fall, instead of spending them semi-exhausted, checking items off of a wedding to-do list.  I may even run a marathon in 2012, who knows.  No matter what the next step is, I'm sure it'll be an interesting one.  Because when life stops being interesting, it's a serious issue, and it's something I'd do anything to avoid.

Saturday, August 27, 2011

Stephen King and The Fight for Low Culture

Counting novels, novellas, and short story compilations as one apiece, I've determined that over the past seventeen years, I've read 34 pieces of fiction (and one piece of non-fiction) written by American horror novelist Stephen King.  This is remarkable to me, because most of the books were read by me before I hit the age of eighteen, where for a long period of time, I swore off reading any fiction whatsoever (excepting what may have been assigned to me in a random college English class).  However, I have very strong memories of each of these - remember in It, it was the Turtle that ruled the world?  I did, when earlier this year reading the third Dark Tower novel, fifteen years after reading It.  It's a quick reference, but it's the type of self-referential "love note" that true fans would understand.

I've recently started reading some of King's newer* works and find that, largely, the skills that made his early writing so powerful and horrifying have held up.  (*NOTE: To me, the defining break point in King's career was the 1999 accident that nearly killed him and threw him into a bizarre semi-retirement that lasted until the second half of the last decade.  What I feel is true about this incident is, like many near-death experiences, it focused him and led him to complete unfinished projects (such as the Dark Tower series), and also that - in a strange way - it improved his writing style.  I've never written horror, but I do believe that writing horrifying stuff well requires background real-life material to make the content work.  Further, it's my opinion that most of King's work produced in the ten years preceding his accident was his weakest - maybe because King, a recovering alcoholic, was sober and happy in his life.  But somehow, in some way, getting hit by a minivan and almost dying led an aging man to write with a youthful pen again.  I find it fascinating.)

As is deserving for anyone who can perform at a high level for nearly 40 years, King has won numerous literary awards, including a lifetime achievement award from the National Book series.  When this happened, the criticism from the academic literary elite (while not unanimous - some critics realized what I'm about to write, which was nice) was fairly devastating.  Below is but one example (which I've pulled from King's Wikipedia page, so take with a grain of salt), from literary critic and renowned douchebag Harold Bloom, who wrote: "[King] shares nothing with Edgar Allen Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis."

Bloom does have a point, in the shallowest sense possible - King shares little with Poe.  Poe's writing is dry, stodgy, and carries the same mainstream appeal as an article regarding econometric analysis of paying for prostitutes.  The idea that King's writing should be the same as Poe's, however, is frightening to me and leads me to the main point of this post.  Wherever intellectual capital is spent in academia, whether with regard to cancer research or social psychology, global warming or what constitutes "quality" fiction, there is sometimes a tendency to emphasize the complex over the simple.  The inaccessible over the obvious.  And this, quite frankly, seems incorrect to me (at least in some instances).

If you look at it through the lens of a technician, King's writing is not the highest quality writing in the fiction universe.  He does not use huge words often (though, when he uses them, they are almost always in the correct context), his sentence structure can lack complexity, and the dialogue he creates can, at its worst, remind a reader of the script of a George Lucas movie (particularly when through the vehicle of a female or a minority character - though he deserves credit for ignoring his own weaknesses and putting so many of these characters in his novels).

I think, though, that if you asked King questions about the three points I've just mentioned in the last paragraph, he would tell you that this isn't what he's trying to accomplish in the first place.  He's trying to accomplish a feeling - specifically, he's trying to freak his Constant Readers the fuck out - and for this, and for this only, he will never receive the full critical acclaim that he deserves.

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The 1990 complete and uncut version of King's The Stand is, far and away, the most frightening novel I will ever read.  (In the novel, an accident releases a powerful chemical weapon that kills almost all of the world within two weeks from a horrible version of the flu virus.  That's only half the story, and I implore you to read the whole thing though it's over 1,000 pages long.  However, it's all you need to know in order for me to make my point.)  What makes it most frightening is the prophetic realism of the end-of-the-world scenario - the idea that our human-made technologies may one day outpace us with drastic consequences is a theme that permeates much of King's canon, but nowhere are the implications so crisp nor the details so specific as the first 400 pages (or so) of The Stand.  King builds up intricate emotional backstories for about a hundred or so characters, and then kills almost all of them.  Mercilessly.  It's an incredible literary feat, and the story goes on (and gets better) from this point forward.

(ASIDE: On the other end of the spectrum is the Dark Tower series, a 4,000+ page narrative, written over thirty years and over seven volumes, that I find just as intriguing - though the story centers around less than ten (maybe even fewer) characters.  It's a Tolkien-esque endeavor reading so many pages of description - the novels sometimes lack dialogue almost entirely for hundreds of pages at a time - but the writing is so crisp and the suspense so strong that I sometimes can't put the books down for hours at a time.  I bring this up as an illustration of King's ability to write effectively in more than one literary context.  He's also dabbled in poetry, though I don't care for it.)

In my senior year of high school, I was given free rein - or so I thought - to select my own topic for my English thesis.  It had been six years or so since I'd read The Stand (I was WAYYYY too young for reading it the first time, but that's what I did and I'll let mental-health professionals sort out the rest), but I'd sensed a parallel between the end-of-the-world scenario contained therein and the poetry of William Butler Yeats (specifically, 1919's "The Second Coming," for those who are interested).  My idea (or how I remember it, a decade later) was to integrate the two works into a coherent whole, trying to understand how two completely disparate pieces of fiction, written in two different generations, can reflect the attitudes of the public in times of distress.

I think it would have been an excellent paper, but it was shot down in its original form by my teacher, who did not feel that Stephen King was a serious writer and did not want my thesis paper to be focused on such a silly topic.  Now, in her defense, what I ended up writing was sent to Ivy League admissions departments in an attempt to get me off of wait lists - so she had a huge point in the general sense that other people would be reading the paper.  But thinking back to my entire academic career, this was the paper I wish I'd written to this very day - the events of September 11, 2001 were not yet a year old, and I'd understood something that I think was a hell of a point to make in print.

People read things like The Stand (and "The Second Coming," I suppose) because they relate to the emotional aspect of frightening scenarios.  It builds them up, somehow, it gives them strength, and perhaps like riding a roller coaster or skydiving, it feels cool.  It's the reason why, as much as many of King's readers enjoy his stories, they almost always stay for his first person exit-ludes; they stay for the explanations of the stories, the motivations and what went into writing the story that had just been read.  It's slightly pretentious to do such a thing, sure, but it makes things seem human again.  It's like the cool-down period after vigorous exercise or after a psychological experiment.  It makes sense.

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In retrospect, the failed thesis paper experiment of 2002 explains a lot about the trajectory my career took.  I ended up a better social scientist than I would ever have made a writer (though I still think I can - and will - write something useful, one day).  Getting back to Ol' Steve, I feel that critical respect for King's "low culture" stories will always depend on the critic's appreciation of an emotional approach to writing.  To the extent that an observer can get beyond the Holy shit, this was really effective at scaring people analysis of King's best writing and move onto the Well, how did he make that happen? analysis, what they'll find is the idea that good writing doesn't necessarily need to be difficult to understand.

Quality literature only needs to move the whole damn paradigm of what good writing is forward - and no one has done this more effectively over the past forty years than King.

Sunday, July 17, 2011

On New Cars and the 2012 World Series of Poker

Last month, I wrote a blog post regarding my deciding whether to trade in (or privately sell) my three-year-old Honda Civic for a newer, nicer car.  It started a great deal of what I would call spirited debate and opinion; I received many well thought out opinions on either side of the argument.  I would say that those who took the time to present an opinion were equally divided with regard to whether they felt I should take the leap, or stick with the car that I have.

Once I realized what a nerve the argument struck with my friends and family, I realized this was an important decision.  I decided at that point to take some time (about a month) to think about it.  No decision that expensive should be entered into lightly and I really wanted to make sure that, whatever I ended up deciding, I could look back and say to my future self that I took the time to think it over.  In the meanwhile, I priced out various cars and determined the impact that upgrading would have on my monthly budget.  Here's what I found out:

Currently I spend about $300 in an average month (not counting oil changes or other routine maintenance) on driving - that's fuel and insurance combined, and I drive 240 miles a week for work alone.  So all things considered, I don't spend a great deal of money on this expense, it's reasonable to see.  Upgrading my car would add an approximate $250 monthly for the car payment alone.  I would be charged an additional $30-40 per month for insurance, depending on the model I selected (luxury cars are more likely to crash) and with decreased fuel economy and the need to switch from regular to premium fuel, you could also tack another $40-$60 per month onto the budget for gasoline.

So I would be increasing my monthly car expenditure from $300 to $650, which doesn't really appeal to me at all.  But that's just the dollars and cents of it.  Increasingly in my conversations with people who were on the "Buy & Hold" side of the argument, they focused on what else I could be doing with the cash I'd be saving by keeping the Civic.  This, in particular, resonated with me because we have a honeymoon coming up that we haven't even started planning yet (vacations frighten us) and I also think that it's important to travel while the traveling is good.

All of this leads me to My Decision: for the time being, I'll be keeping my low-cost, low-maintenance Honda Civic.  (Certainly where possible I will continue to save for the new car.)  But in 2012, I will be taking my talents to Sin City - Las Vegas, Nevada, to participate in that year's World Series of Poker.



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Many professional poker players say they grew up in families that played cards constantly.  I played enough growing up to know what the suits were, and that Aces were better than Kings in most games, but when the Internet Poker Boom hit, and when an unassuming accountant named Chris Moneymaker won $2,500,000 for finishing first in the 2003 WSOP main event, I had absolutely no clue what Texas Hold 'Em was.  Shortly thereafter I read a magazine article about the event, and I was instantly hooked on poker.  I needed to understand what the craze was about.  It seemed to suit me perfectly.

I started to play online for real money in 2005, on a now-defunct poker site from Australia called Noble Poker.  Having read only one book on tournament poker, Harrington on Hold 'Em Volume 1, and having the good sense to know only to play good hands against aggressive players, I cleaned up.  I'd sometimes show up at my summer internship on Monday mornings saying things like "I turned last week's paycheck into $2,700 over the weekend" just by gambling online.  The online poker pool back then was filled with fish, and with (charitably speaking) only half of the poker skills I currently hold now, I was a giant freaking shark.  I had some upswings and some downswings that summer, but ended up pocketing a couple grand that was very helpful spending money during my upcoming senior year of college.

Over the following six years, I played a considerable amount of Hold 'Em, and at present I can safely say that I'm talented enough that if I can be patient, prudent, and obtain a better-than-average amount of luck, I can play a WSOP event in the game and make the money*.  (NOTE: Some of you may not know what making the money is, so I should explain a little bit about basic poker tournament structure here.  Unlike in a cash game, where players bet chips that represent actual dollars, poker tournaments are paid for with a flat fee, known as a buy-in, for which you receive in return a fixed amount of tournament chips.  About eighty percent of the players who buy into any poker tournament will lose their tournament chips and will not make any money for it, but the top twenty or so percent of finishers will survive long enough to earn the reward - making the money.  Making the money is a nice first goal, especially when you think you might be outclassed by the caliber of players in a given tournament, but because payouts increase exponentially toward the very top finishers, the actual goal is survival and dominance to the very end.) 

It's story time.  In the summer of 2009, I was mired in a huge poker playing slump when I drove to the Borgata in Atlantic City to play in a $100 buy-in tournament that guaranteed at least $10,000 in total payouts.  (For whatever it's worth, my slump actually lasted into 2010, but this was a highlight amidst a very long run of sub-par poker play on my end.)  That particular night, however, I ground it out for hours, with my self-preservation reflex in full control.  I played solid, small-ball poker throughout most of the tournament, until I became hot at exactly the right time - when about fifty players were left, out of the original 350-plus - accumulating piles and piles of chips as we entered the money.  With only thirteen players left at 2 AM the following day, those of us still alive in the tournament elected to stop playing and divide the money amongst ourselves (the chop), and I took home a nice payday of $3,000 for my troubles.

I think back to this tournament a ton, because (a) it reminds me that, if I could play that well when I was in a huge rut, I could conceivably play much better given that I'm playing much much better poker on average right now; and (b) on the other side of the coin, it reminds me that lots of people play these tournaments without giving the game nearly the amount of thought and rigor that I do, and that should in the long run give me an advantage.  Poker is very much a game played within the margins - by that, I mean that the difference between great play and terrible play is very slim and can only be detected over a long series of games - and on Any Given Sunday, I could be able to beat even a group of players more talented than I.

(If you've made it this far, click the link below, watch the video, and get ready to run through a goddamned brick wall.)


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Ahem... the above video leads me to my next point.  My life philosophy is dominated by thoughts of my own mortality.  We're all alive for a short and finite amount of time, and playing in a World Series of Poker tournament event will cross a crucial item off my bucket list.  Now don't get me wrong, I wouldn't play in the $10,000 buy in main event because it's too expensive, and also it's the most popular event by far and over the years it's turned into a lottery.

I wouldn't want to play for those high stakes right now unless I were certain I had a potential advantage, and in the main event any advantages are diluted by the sheer number of people who sign up to play the damned thing.  My likely destination would be one of the many $1,500 buy in events that precede the main event.  Hopefully other poker playing friends of mine would choose to join me for this tournament, just to say they played in the real deal.  Who knows, maybe one or two of us would get lucky.

Realistically, the odds are against me winning a great deal of money on this excursion.  I could lose all of my chips in the first 30 minutes of the tournament, after wagering those chips with the best hand - that's just how the game of poker works.  But I will practice over the next twelve months to become the best poker player I can be, so that win or lose, I can say I put every ounce of effort I had into the tournament. 

Intelligently, the folks who run the WSOP have over the past few years started a traveling "circuit" of events around the country.  These are generally smaller-scale versions of the WSOP itself, with equally modest (respectively speaking) fees for entering the events.  I'm aware that playing in the WSOP in Las Vegas, I would be playing a higher caliber of player than in regularly scheduled tournaments in Atlantic City.  Thusly, it's important that I "train" for next summer by exposing myself to a few tournaments over the next year that have slightly higher buy-ins than I am currently used to.  As such, my training begins in earnest this December, at the WSOP circuit event in Harrah's in Atlantic City, New Jersey. 

Let's shuffle up and deal...

Monday, July 11, 2011

Grading Recent Commercials, Part V: The Game Within The Game

I'm bringing back one of my favorite blog post themes after a fairly long hiatus, because lots of commercials these days deserve to be analyzed, criticized, and demonized (that's a little Walt "Clyde" Frazier, for y'all) and I'm a little tired of blogging about serious topics like homeownership.  I'll get back to that theme later this week, but I finally have some time to watch terrible TV and of course I also paid attention to the advertisements.  So without further ado... boys, let's get to it (to it)...

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Commercial #1: Another Case of Playing Dumbly to Gender




As someone who very strongly feels that the country is transitioning toward a post-gender mentality (by this I mean that fewer and fewer topics, decisions, and emotions are "only for women" or "only for men"), I am routinely dismayed when commercials exist for products that strike me as intuitively gender-neutral, but are pitched in such a gender-specific way that my fiancee and I can both watch the commercial and get pissed off for completely different reasons.

I am going to ignore the feminist argument with regard to this sausage commercial, because I'm not here to make the feminist argument (it's ripe for the taking, though). I am here, however, to argue that making a commercial like this is retarded, business-wise.  Imagine that you are tasked with the responsibility to pitch sausage.  Sausage is so easy to sell, it's almost as easy as bacon.  It's delicious, salty, and applies to lots of recipes.  Hell, I'm eating sausage right now, as I type this.

Chicken sausage (the product being marketed here) is probably easier to sell than regular sausage, because many people like to eat healthy foods that remind them of not-so-healthy food.  Now, both men and women like sausage - in fact, if you look at men who live alone, I bet almost all of them eat sausage.  So the first problem here is that focusing so much on the woman is counterproductive and limiting.

Above and beyond this, the second problem with the ad is that it's confusing.  What's the "get" here?  Is it the patronizing servitude of the wife (to be honest, I still can't tell whether it's ironic or not)?  Is it the bizarre dance lesson interlude, which makes absolutely no sense because only the woman is dancing and she is wearing 1980's style fitness clothing?  Is the commercial designed for women to like it, or men, or both, or neither?

I seriously cannot tell whether the intent of this ad is "Check us out, we're quirky and unique, you'll love our products" or instead whether they're trying to pull a Sterling Cooper ad circa 1961 with a basket of kisses or some shit.  Did anyone run this commercial through a focus group, and if so, why didn't they ask people if they were confused by the commercial?  Because I can't understand what's going on here, and - given that I work in market research - if I can't understand what's going on, does anyone else?

I think the problem is that too much is going on here.  Commonly when I watch a commercial for something that isn't "designed" for me, I'm able to at least rationalize that someone out there exists for whom this commercial is relevant.  (You can call this the Sarah Palin effect, but for commercials, if you'd like.)  But chicken sausage is something I'd buy, and I'm not sure, in the case of the above commercial, that anyone in the world (or, at least anyone I know) could find it even remotely tolerable.

Grade: F


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Commercial #2: A Matter of Timing




Previously I tore apart a commercial that did too much.  Sometimes a commercial can err on the side of doing too little - witness the above commercial for Worx energy drink.  (Oddly enough, another very similar product, 5-Hour Energy, has the exact same problem I'm about to describe in its own commercials, which makes me wonder whether the two products are owned by the same company.)

Time is obviously a very limited entity in a 30- or 40-second commercial, so to maximize the short amount of time you have, timing is important.  Most commercials get right to the action, with barely a second of silent context (if that) before the dialogue begins.  This commercial is, obviously, quite different.  It's 40 seconds long and only has four scenes - each showing a person who needs an energy boost explaining why the product "Worx" for them.

It's not ineffective from a content perspective, but there is at least two seconds after each cut before the individual starts to speak.  Silence in a commercial these days is rare - we watch TV in an era where it's perfectly appropriate for an actress to scream at the top of their lungs for ten seconds in the middle of a cell phone commercial - but all of these seconds of silence in the middle cost the Worx company money.  People viewing the ad will get distracted, because after all, they aren't paying attention in the first place (unless they're crazy, like me), and they don't need that much context to get the point.  Or, alternatively, Worx could have gotten rid of the long pauses between cuts and saved about ten seconds (and about 25% of their advertising budget, if my math is correct).

Interestingly enough, the actors in the commercials are fairly low key.  I know a few people who use these products, and they're all pretty amped up people in the first place.  I'm surprised by the casting decision, but ultimately not that surprised since a commercial with such glaring problems in the first place had to have been designed cheaply, and in house.

Grade: D

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Commercial #3: Brainssssssssssssss....


Don't get me wrong.  It's not that I feel zany commercials can't work... if the timing is appropriate and the content is funny, zaniness can work very well.  I submit for the approval of the Midnight Society the above commercial, for the Toshiba Satellite laptop computer.  In it, an engineer/decision maker decides that the laptop needs to have a tough casing just in case a future broken laptop leads to a national power blackout and subsequent zombie apocalypse.

Students of zombie apocalypses know very well that drinking spoiled milk does not directly lead to the spread of the virus Solanum (which we all know is scientifically proven to transmit a hunger for brains).  However, this doesn't really matter because zombies are awesome, and also zombies these days are pretty mainstream.  (Hell, the CDC recently posted a legitimate zombie apocalypse scenario online - officially - as a satiric play to get people interested in disaster preparedness.)  It's about time that someone in Ad Kingdom capitalized on this in a unique and interesting way.

The point of any advertisement should be to present an engaging, relevant message that is unique and believable.  You'll win engaging points if your commercial is hilarious, and this commercial is also daring (I mean, look at the zombie still frame above, it's a little disheartening to look at).  But also, it's not hard to get the point of the commercial, and the message is quite clear - Toshiba thinks of everything.  In my opinion this commercial excels, due to its attention grabbing nature, comical and engaging content, and excellent timing.

Grade: A

Sunday, June 12, 2011

Arguing For (and Against) Upgrading My Car

I drive a base model 2009 Honda Civic coupe that is in good condition and is paid off.  It does everything I need it to do adequately, it's moderately fun to drive, it sips gas no matter how fast I drive, and it's like a cockroach - it'll never break down, even in event of nuclear war.  It also completely lacks features and even though I've owned it for less than three years, I've been thinking recently that I want to upgrade my automobile.

Last Wednesday, the Wall Street Journal published an article regarding current prices for used cars that are (a) Japanese, (b) fuel-efficient, and (c) less than four years old.  Simply put, those who decided to purchase fuel-efficient small foreign cars in 2008 are now seeing historically high resale and trade-in values for these cars on the open market today.  This is due to fuel prices that are approaching 2008 levels, as well as the Japan earthquake/tsunami back in March which led to a serious kink in the supply chain.  Further, because 2008 was such a shitty year economy-wise, fewer people bought new cars then, so there happen to be fewer three-year-old cars to sell at this point in time.  Combine that with the idea that if someone plans to buy a used car, buying a three-year-old used car is optimal (based on how car values depreciate over time), and you have a perfect storm of factors combining to create these market conditions for selling or trading in my car.

The WSJ.com article cites Jesse Toprak of Truecar.com, who states (emphasis mine): "The best case scenario is that you have a trade-in that is somewhat gas efficient, and you are ready to trade for a larger vehicle."

You've heard part of my situation earlier in the post, but here's the second part: I bought the Civic when I was a second-year Ph.D. student, about three months before the idea of leaving graduate school and entering industry entered my mind.  I earned $25,000 as a graduate student in 2008, and with the idea of spending three (or four, or more) years after that as a graduate student in my head, buying an inexpensive car with low monthly payments certainly made sense to me at the time.

Without going into too much detail, entering industry has been a modestly successful financial decision for me, and I've been able to pay off the car in just under three years.  So given all of this, it may be time to upgrade my driving situation.

If I were to upgrade my driving situation, here's how I'd do it:
  •  I'd consider trading in my Civic (it'd be worth something like $14,000 as a trade-in), but might also sell it privately on Craigslist (where it might be worth up to $16,000).
  • I'd supplement the cash from selling the Civic with some savings I've already put toward a new car (which are about $3,000).
  • With that $17,000-$19,000 in hand, I'd finance the rest.  I'd only want to spend about $30,000 on the car, which would likely be a new "entry level luxury sedan" (think something like the Acura TSX, except not an Acura TSX)...
  • ...because I want to keep my monthly payments under $250/month (which is about what my monthly payments were for the Civic).
I haven't made up my mind yet.  I've told myself that I'll wait another month before I do.  That being said, here are the best arguments I can think of for why I should make the leap and upgrade my car, as well as some reasons why I shouldn't...

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Reasons Why Fred Should Upgrade His Car

  1. The Market's Telling Me To: I've discussed this above in enough detail, so I'll leave it at that.
  2. It's Affordable Within Our Budget: Because of the plan I outlined above, the monthly payment I'd have with the new car would be roughly the same as what I was able to afford as a graduate student.  With the increased cash flow (compared with graduate school) in my industry position, there's no reason - short of being laid off, which is unlikely because the company I work for is doing fairly well, or having multiple kids, which is unlikely because I don't want a heart attack - that I wouldn't be able to afford the car payment over the next three or four years.
  3. I'm Only Young Once, and it's "Time": I do work kind of hard, and having this house has been more maintenance work than I'd originally anticipated.  Given all of this, it'd be nice not to have to drive something pedestrian home from work, or around town.  My current car doesn't have a moonroof, power seats, or even Electronic Stability Control (which is an important added safety feature, required on cars sold in the US after model year 2009).
  4. Reminds Me Of My Youth: I haven't had a nice car (and I'm using the term "nice" really liberally here) since my first car, which was a ten-year-old used Nissan Maxima that went pretty fast and was really fun to drive.  Being able to purchase a car in that range of automobile, but new, would have added meaning for me because it suggests that I've actually made something of my pitiful self.
  5. The Economy Could Use The Gentle Caress of My Stimulus: An argument can be made - and I suppose I am making it - that in times of economic stagnation, those who can afford it should spend rather than save.  If the market's telling me to buy, it could be that it's telling some others to buy as well, and that's how economic recoveries tend to get started (or, in this case, start back up again).
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Reasons Why Fred Should NOT Upgrade His Car

  1. We Just Bought a House: We're so new in this house that we haven't had a full round of monthly bills yet.  I'm confident in my ability to budget and project future expenses, but I'm not sure if I'm ready to wager an additional monthly payment and $10,000 of debt on my ability to do this.  It might be better if I waited a couple of months, in the sense that we'd know better how much our energy bills fluctuate with the summer time, etc.  
  2. We Just Bought a House, Part Deux: Also, I'm kind of worried about how it would look to others if, after having just bought a house at my age, I bought a new car with a luxury label on it a month later.  The neighborhood we live in is nice, but it's working-class for sure, and there are definitely people on the block with fixed incomes.  I like to get along with the neighbors, and first impressions count for a great deal, and I feel like the new kids on the block already have a strike against them in the first place.  I'd rather not seem a douchebag (at least until we've had more time to get settled).
  3. I'm Kind of Anti-Debt: I have some small student loans, which are no big deal, but we have a mortgage now, which kind of is a big deal, and a car loan on top of that would be another layer of consumer debt that I don't care to have.  Some people don't mind carrying lots of debt, but to me it's an albatross around my neck and I feel like I have to pay it off as quickly as possible.  This is probably good for me in the long run (it certainly keeps my credit score high), but it makes decisions like this one excruciating because I know the pleasure of driving is going to be countered by the annoyance of making another monthly payment for a while.
  4. Fears of Lifestyle Inflation: Simply put, if I buy this car and when the time comes to buy a new car in 2015 or something, what if our financial situation is worse than it is now?  Am I condemning myself to a lifetime of needing a nice car, and feeling inadequate if I have to go back to driving a Honda?  That would be really sad (and it would make me a very disgusting person).
  5. It's Just a Car, Man: The argument here is that a car is a means of getting from Point A to Point B, and as a mode of transportation there's no reason for it to be a luxury car.  This is completely rational (and functionally incorrect) because that's not what a car is to most people - otherwise, everyone would be driving 15-year-old Civics (because those cars literally never break down).  We have emotional attachments to our cars, and many people can ground a memory based on what car they were driving at that time in their life.  So I disagree with this argument, but I'm listing it here just because I know that some do agree with it.
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So there you have it.  I'm not sure there is a correct answer to this, and I'm absolutely sure there are other arguments here that I've missed entirely.  I'm seriously wrestling with the decision (as you can tell, and even though I've spoken with a number of people about it, and most think that I should jump on the purchase).  Once I decide, people will know...

    Thursday, June 9, 2011

    The Hopeless Homeowner Series, Chapter 2: Adventures in Modern Landscaping

    This is the second installment of a series of posts regarding our misadventures in owning a home.  We recently bought a home in an active adult community (well, not really, but let's just say we're the spring chickens on the block by a decent decade and a half), and we have a great deal more space to live in now.  Proportional to the increased living space is the increased complexity and nuance of owning a home, as well as all the stuff you have to buy and all of things that go wrong in the process.  The stories are as follows...

    Whether they are aware of this or not, adults exist somewhere on a continuum of willingness to endure chores typically considered to be "workmanlike".  (To me, "workmanlike" tasks involve a serious amount of dirt, fumbling around with tools, sweat, and/or muscular ability.  I would use the term "blue-collar" instead, but I think the term is inaccurate and outdated in a time and place where sanitation employees routinely earn six-figure incomes.)

    There are those people who, through some combination of engineering inclination, stick-to-it-ive-ness, fearlessness, love of the outdoors, and creativity, learn to do everything on their own and truly become handy.  These are the folks that you call when you can't figure out how something works, you've already spent an hour or two Googling the problem, and you've found the problem to be so strange that you need someone whom you know has encountered - and solved - it before.  They'll remember the fix, even if it was an isolated incident that happened ten years ago, and they'll walk you through it in about five minutes.  (Sometimes they'll be so proud of themselves for remembering the fix that they'll thank you for prompting the recall, but that's a completely different story altogether...)

    On the other end of the continuum are those who are so inexperienced (or so scared) of simple household maintenance chores that they barely attempt to try them, instead deciding to outsource them to other people.  I am scared to death of falling into this category, because it's an easy way to bleed cash and it announces to the entire world that I am lazy (or at worst, a classist), and it violates my fundamental moral code of self-sufficiency.

    I'm so inexperienced at this type of stuff that, while I know where I'd like to be, I have no clue where I currently exist on this continuum.  So far, I've managed not to call a professional for all but the obvious tasks (e.g., replacing a water heater, which requires welding equipment and such acumen that the otherwise-handy people whom I typically call for advice always call professionals to install for them).  But on the other hand, I routinely take several days - and several attempts - to finish even the simplest installation projects, which is strange because I am typically quite the impatient individual.

    But I've found that sleeping on a difficult step to fixing something works for me - I approach it again with a new perspective, and I'm well-rested and in a different (if not better) mood at the time, and more often than not the damned problem gets fixed the second time around.  Which is good when you consider the lawnmower debacle...


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    For a number of reasons, which include but are not limited to my own laziness, the willingness of others to complete the task, and a life course that took me from college to five years of shuffling between apartments in different parts of the country, I had never managed to mow any lawn between 1997 and 2011.

    When we moved into the house last month (and before the move, and after the move), I was incredibly worried about having to mow the lawn again.  The gap in completing a task that is ingrained in the mind of any warmblooded American male as an incredibly warmblooded American male-type thing to do, to be frank, made me feel pretty damned impotent - it was like because I had gone so long without doing the task, that some window of grasping how to mow the lawn had passed and I would never be able to learn for the rest of my life.

    (NOTE: I use the word "impotent" metaphorically, but the metaphor I think is clear - many men need to know they can perform as men, and you can fill in the task with whatever you're thinking of, but that's a fact.  There's a reason that Viagra commercials involve getting things done - an act is an act, whether it's sexual or not, and while sometimes a cigar is a cigar, most of the time a rowboat is not a rowboat.)

    (A SECOND NOTE: I concede that the idea of there being a developmental period where it's easiest to learn how to mow the lawn is fucking stupid.  But every dude that's in my position would also concede that they wish they'd learned these tasks as a child, because then they would always remember how to do these things.  Blaming the parents, as always, is the easiest way out.)

    The key to mowing the lawn for the first time was obtaining a considerable amount of help.  (Getting this help led to a far more positive outcome than the night before, when I tried to add fuel to the mower by myself.  The details are irrelevant here, but suffice it to say the process didn't work, I got pretty angry at the fuel tank, and ended up breaking a fairly innocent pair of sunglasses against the wall of the garage.)  Thankfully, my fiancee's dad worked with me for fifteen minutes to figure out how to add fuel to the mower for the first time, and watched me for another twenty as I remembered how to "draw lines" across the backyard, and reminded me that the grass bag needs emptying two or three times during the process.

    This is not an isolated incident.  I'm speechless at the countless acts of kindness and patience that other people have lent us over the past month or so.  I'm a quick student but not a particularly patient one, so I don't know what I'd be able to accomplish without the help of more seasoned homeowners.  I have no way to repay my gratitude.  Anyway...

    I certainly would recommend a Honda self-propelled lawnmower to anyone who is new to the art of mowing.  It doesn't really matter which Honda, although I suggest you pick the one that best fits the relative size of your yard (our land is about a third of an acre; we bought the $500 model which works just fine).  The instruction manual is eminently readable, actual operation is so easy that even a dolt like me got the hang of it relatively quickly, and it's a Honda so it's reliable and fuel-efficient.  However, filling a lawn mower with fuel must require a Ph.D. or something, because it took me forever to figure out how to get gas to come out of the fuel tank.

    Back in 1997 (why, back in my day!), you took a funnel, stuck it into the mower's fuel tank, and poured gasoline from your rusted metal tank into the mower that way.  These days, I guess to make fuel tanks safer and also more obnoxious, the plastic tanks have a plastic nozzle that you have to prime (think Shake Weight). After you're done making obscene sexual gestures, you then insert it into (think of whatever you want) the mower's fuel tank, so that air is able to escape the plastic tank while the lawn mower is being fueled.  I think - maybe - I have the hang of this now, but I recommend having someone on hand who knows what they're doing while gassing your new Honda lawnmower for the first time.  It'll save you time and effort, and quite possibly, a new pair of cheap sunglasses.


    (This will be what our backyard will look like by mid-June.  Just keep repeating this as a mantra...)